The Robot Ate Me is freakin’ awesome.
Friday, June 23rd, 2006
A while back I reported on The Robot Ate Me, an band (guy, Ryland Bouchard) out of Oregon, touring and coming to Nashville (no linky, because I’m lazy). Well, he came, and went, and we ended up not being able to go, although when I emailed him he said he was trying to book the Pilot Light, but they were busy that day. Yep, he’s so cool that he answers emails. He also handles all of the orders himself, shipping the merchandise and sticking little goodies in the box like posters and stickers.
But I’m getting ahead of myself again.
Yesterday, a surprise package I ordered for GAC (and that she found out about as soon as I ordered it, so it really wasn’t much of a suprise. I’m lousy with suprises) arrived from Swim Slowly records, containing one of their earlier CDs, On Vacation, of which we had almost all the music from the intarweb (gasp), but this band being one of those situations where they need the money more than I do (I do Whirlwind Heat the same way), and their newest record, Good World.
Now, The Robot Ate Me is a damn hard band to pin down. Ryland sings with the voice of a 4 year old in a post-pubescent body. He has used somewhat unconventional means to create the music (circular saws, in one song), to great effect. This new record, recorded using an old 80’s drum machine, and whats either a clarinet or bassoon, is a bit of a departure from the previous records, not only because of the concept (some kind of spider monster, and owl god, and some other things. I don’t know) but because the music was boppy and great. We listened to the record twice in a row, on account of being so good.
But like I was saying above, its great seeing a talented artist that’ll email you back.
